A rare public display of Patis Tesoro’s art and fabrics


Mallgoers experienced the unusual opportunity to see woven miracles from renowned Filipino artist and designer in Busisi, an exhibition held a short while ago at the Mega Vogue Hall in SM Megamall.  

Mallgoers now have the unusual possibility to see woven wonders from renowned Filipino artist and designer Patis Tesoro in ‘Busisi,’ a joint project of SM Megamall in partnership with Finale Artwork File and curated by Gino Gonzal

A joint task of SM in partnership with Finale Art File and curated by Gino Gonzales, the exhibition showcased a collection of beautiful textile art and intricate tapestries characterizing Patis Tesoro’s strategy to graphic artwork and textile style.

The Filipino word busisi translates to fastidiousness, when its adjective mabusisi means meticulous. In the arts and crafts, remaining mabusisi connotes attention to moment details. It also articulates a one of a kind Filipino sensibility that permeates Tesoro’s embroidered textiles and cloth collages.

As a textile designer and prominent advocate for the promotion and conservation of indigenous and traditional Philippine vogue and textiles,

Tesoro has worked with artisans in Kalibo, Aklan, where by piña is still woven nowadays, and in Lumban, Laguna to embroider piña fabric. 

In the 1980s, Tesoro was at the forefront of the manufacturing of piña-seda (a textile that combines pineapple and silk threads) and piña-abaca (pineapple and abaca fibers). She also admonished the use of pure dyes and the farming of vegetation that develop these pigments.

Right after a lot more than 30 many years of an very demanding rate in the style enterprise, Tesoro moved to the a lot more rustic location of Putol, Laguna. In this article she cultivated an natural environment that mirrored her philosophy of harmonious co-existence with character. 

Photograph displays the artist (remaining) in her workshop in Putol, Laguna

“I never throw away just about anything,” Tesoro states, and this propensity for salvaging bits and items was obvious in her assemblages from the shop’s precious retazos (remnants of textiles).

More than the previous 4 a long time, she made tapestries that merged printed cloth, embroidered nipis [a generic term referring to fabrics made from fine fibers of abaca, pineapple, maguey, raw silk, or a combination of these in the nineteenth century, as well as hand-dyed materials—Sandra Castro]. 

Unsatisfied with mere patchwork, she guided her atelier in the application of a variety of surface area decorations. Beadwork and obsessive stitching released texture on an usually flat area. They also layered new varieties over the current designs.

In contrast to the flourishes of standard embroidery on piña fabric, Tesoro’s compositions of the diaphanous content developed vivid geometric designs. Items of organic, sepia, and black coloured piña had been mixed to make checkerboard, argyle, and bricks—all reminiscent of 20th-century pattern design and style. There were being also references to the triangular linework of indigenous ikats. 

Finale Art File’s Evita Sarenas and Sylvia Gascon (leftmost and rightmost) with renowned artist and designer Patis Tesoro (second from left) and SM’s Millie Dizon (2nd from suitable) at the opening of ‘Busisi’ at the Mega Vogue Hall

When emphasizing the graphic compositions, the needlework also imbued the will work with a more private stamp. A hand embroidered flower or fern sometimes emerged to disrupt the repetitive motif. The rogue patches absolutely belonged to a bolt of embroidered piña. Was it for barong or a traje de mestiza created in Tesoro’s atelier? In any circumstance, the little peculiarities contributed micro-histories in just the greater tale of a tapestry.

Busisi, which was very first exhibited in Finale Artwork File in March 2022, is 1 of the quite a few remarkable cultural situations at SM Megamall. Exhibition associates include things like Unang Panahon Arts and Antiques and HABI: The Philippine Textile Council.


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